By now you know I love interviewing authors—and it’s extra special when those authors are already my friends. Nancy Bilyeau and I are in the same author support group (and that is an accurate discription) called Book Pregnant. Before I knew Nancy I’d never read Tudor fiction — let alone Tudor fiction about a nun. For the post I wrote about Nancy’s first book, THE CROWN (complete with photo!) click here.
When I emailed Nancy her questions, I assured her that WFW readers liked their blog posts with a hearty helping of honesty. Below, Nancy Bilyeau lays it on the line. She’s direct, yet she’s hopeful and encouraging. Who of us aren’t?
Please welcome Nancy Bilyeau to WFW!
Author Nancy Bilyeau Says “Take The Plunge And Be Ready For Anything!”
Nancy: I am not so sure it’s the character itself that always demands a series but the combination of character and chosen world. I suppose there are exceptions–such as Lee Child’s ex-army MP Jack Reacher or Sue Grafton’s private investigator Kinsey Milhone. Each of those main characters are so fascinating, you’d follow their stories even if they started working the register at 7-11.
But with my novels, I take a character–a half-English, half-Spanish headstrong young aristocrat who wants to be a nun–and I put her in a very specific time and place: England in the 1530s, when Henry VIII was destroying the monasteries of his country. So right away I have that very serious source of conflict running through the books: This is a spiritual person wanting to practice her faith in a time when it was difficult and dangerous to do so. There is always another plot powering one of my novels–a search, a conspiracy, a love, and sometimes all three of those things at once–but the inherent conflict exists.
I’ve had a lot of feedback on Joanna, and most readers like her intelligence and sense of integrity, but also some people feel frustrated when she does something they don’t want her to do. I find that interesting. Everyone says readers hate passive characters, but Joanna is almost too independent for a small percentage of readers.
I never get bored with her. I can’t explain what she is to me. Stephanie Meyer once said that Bella Swan was like her daughter. Joanna is not a daughter to me, or a sister. And she’s not my alter ego. I’d never even met a nun before I started writing her, and I’ve had to do a lot of research to make sure she’s authentic. It’s more like Frankenstein’s Monster, but in a good way. Joanna is attractive 🙂 I’ve brought her to life and I feel very protective.
Amy: Shoving aside the changing nature of publishing and the fact that there’s no “sure thing”–what is your plan/vision/hope for your books and the stories featuring Joanna Stafford?
Nancy: I’m finishing the third book in the series now. It’s called “The Covenant.” After that, I’m not sure what I will do. I am totally ready to keep going. Or I could take a break and write a different character in a different time. I was at a brunch and I said I was thinking of doing that and a woman who’s read and liked my books said, looking worried, “But your books will still have religion in them, won’t they? And you won’t leave the Tudor period?” Well, if I wanted to write another book about spirituality in the 1530s and 1540s, I’d keep going with Joanna! I would almost feel as if I were betraying her to write a different person in the same time.
Amy: Would you share with us one thing we don’t know about Joanna? Something that is part of her history or just hasn’t made it into one of the books? Is there something you’d like to discover about her as you continue writing?
Nancy: I don’t think I’ve held anything back about Joanna. I’ve thought about her a great deal and put it all in the books. I would like to keep going with her as she becomes a wife and a mother. I’m not saying that this would necessarily happen–SPOILER ALERT. 🙂 But I would love to discover how she copes with that part of life.
Amy: What’s your best advice to an author, whether published or aspiring, who’s considering writing a series?
Nancy: Writing a series is wonderful but it’s also very tricky. As writers, we need to produce a book a year or every two years at the most, to keep the momentum going and that is especially true with a series. But publishers want to “wait and see” with a new series before they commit to buying and scheduling them. They want to know: Is it going to catch fire? In today’s publishing climate, it’s unusual to have a multi-book commitment right away, although they do happen, as with my friend Laura Anderson and her new “Boleyn king” series.
As soon as readers finish a book in a series, they want the next one. But can anyone possibly write a series of books totally on spec and then if the first or second one becomes a hit, they have the next ones written and ready to go? By the way, I hear about authors writing two or three novels a year and I just can’t do that. My books require so much research and intricate plotting and then I revise my writing quite a bit before I submit to my editor. Maybe I need to drink stronger coffee? 🙂
And yet, here’s the problem: if you put out a book and wait and see the response and THEN if it’s positive, you start writing the next one, you’re hopelessly behind in the production cycle.
You are now doubtless waiting to read my solution to this conundrum–and I don’t have one. I would really love to hear what other authors this about this, actually.
But I guess my advice is: Take the plunge–and be ready for anything!
Nancy Bilyeau is a magazine editor who has worked on the staffs of Rolling Stone, Good Housekeeping and InStyle. She is currently the executive editor of DuJour magazine. The Crown and The Chalice have been published in six languages, and The Crown was short-listed for the Crime Writers Association’s Ellis Peters Historical Dagger Award for 2012.