Keith Cronin is a true writer-advocate in addition to being the author of ME AGAIN and a professional drummer! Keith’s road to publication has been long and arduous and wonderful — and we are so lucky to have him back on Women’s Fiction Writers. I met Keith on Backspace, probably in 2007! (OMG, that’s like 27 years in online years!) Keith was one of the very first guests on WFW! A link to that interview, and to my review of ME AGAIN, his re-released novel now available on Kindle, are listed below.
Please welcome Keith Cronin back to Women’s Fiction Writers!
Author Keith Cronin Shares His Publishing Journey From Hard Cover To E-Book
Amy: Welcome back to Women’s Fiction Writers, Keith! Congratulations on the Kindle release of your novel Me Again, a year after its original hardcover release. Can you explain to us why there was a year in between these releases?
Keith: Thanks, Amy – it’s great to be invited back! The one-year wait was a contractual thing. Five Star is a very specialized publishing house, focused primarily on selling hardcover fiction to public library systems. In fact, when they bought my book, they were not doing any digital publishing at all. They’ve finally begun to enter the ebook market, but the terms of my contract give me all non-hardcover publishing rights one year after the hardcover release.
This arrangement didn’t sound too bad back in 2010 when I signed the book deal, but that one year ended up feeling like an eternity, given that my book came out right when ebooks started really taking off. So I’m thrilled to finally be able to offer the book to a wider audience – and at a much lower price.
Amy: How was your experience as a debut author? Was it different from your expectations?
Keith: It’s been both a roller-coaster ride and a huge learning experience, but I wouldn’t trade it for anything. Probably the toughest thing when launching a book is the ongoing choice you’re faced with, of when to just let things happen, and when to try to insert yourself into the process. On one hand, working with a publisher who’s been around, you need to give them credit for knowing how to do their part. But on the other, you can’t forget that yours is just one of many books they are publishing, so you need to stay on top of some of the details just in case they don’t – all without becoming a nightmarishly high-maintenance pain in the ass (or, NHMPITA). That’s always a balancing act, and I’m not sure I always stayed on the correct side of the NHMPITA line. But I’m fortunate to have many friends who are authors, and their experiences provided a much-needed reality check, and made me realize that most authors hit some occasional speed-bumps and woulda-coulda-shoulda’s with every book they publish.
I will say, the validation that comes with publishing a book has been very powerful – it makes you feel like all that hard work really meant something. And it’s incredibly gratifying when a reader speaks up to let me know they enjoyed my story. Whether they tell me face-to-face, send me an email, post a review, or comment on Twitter or Facebook, it never fails to lift me up and make my day. That stuff just never gets old.
But one of the coolest things I’ve found is that having a book out puts me in a position to help even more writers. I’m a huge believer in the power of writers as a community – my favorite being the Backspace online forum, where you and I met. When I speak at conferences and other events, or post my thoughts online about writing, it’s both rewarding and humbling to see how people respond. Just last week I did a reading and panel discussion down in South Beach, at the LitChat Literary Salon at the Betsy Hotel. One of the people in the audience was a high school kid, who came up to talk to me afterward. He said something that really struck me: “I’m not the best writer in my creative writing class. In fact, I’m kind of surprised that nobody else from my class showed up for this, after our teacher told us about it.”
I told him it’s not just a matter of who has the most talent, but more about who wants it the most, and the fact that he showed up indicated he had more of a hunger than the other students. By the way his eyes lit up, I could tell he was really encouraged. When you see that fire in another writer’s eyes, and know that you helped keep that flame going, it’s a really powerful experience.
Amy: I know you’re a regular contributor to Writer Unboxed, one of my favorite daily reads — but are you also working on a new novel? If so, will it be back under the broad umbrella of women’s fiction?
Keith: Yes, I’m in the brainstorm stage of my next project, and I think it will fit into that admittedly broad category, in that it will explore some pretty deep emotional territory. But I’ll be honest – I’ve really begun to think “women’s fiction” is a category that exists mostly in the minds of people who work in publishing, but not in the minds of most readers. I almost never hear the term unless I’m talking to somebody who is involved in the business. Even at literary conferences I keep encountering people in the audience questioning what women’s fiction is, particularly when they see a guy who looks like me claiming that he writes it.
That said, I definitely write with a female audience in mind. I’ve always related well to women – as a youth I was perpetually stuck being that nice guy whom so many girls liked “only as a friend” – oh, the agony! And I’m certainly not cut out to write testosterone-dripping Cussler-esque thrillers (in part because I don’t feel cardboard is a satisfactory material from which to build a character – oops, did I say that out loud?). So yeah, I’m sticking with this direction, because I think it lets me tap into what I’ve got, in a way that seems to resonate most with readers.
Amy: What’s your best advice for debut authors?
Keith: Well, this is definitely a piece of “do as I say, not as I do” advice, but here it is: Take advantage of any time you have to start writing the next freaking book.
I know, everybody says it. But it’s so true, and it needs to be reiterated. When you’re a debut author, your whole world becomes about this one book. And since it’s your first book (we’ll ignore any “trunk novels” for the moment), it’s easy to look at this one book as the sum total of all your literary energy. You’ve poured everything you had into this book, and there’s simply nothing left.
Sorry, but that only worked for Harper Lee. You wanna be an author? You gotta keep writing more books. And they sure as hell don’t write themselves.
Amy, with the publication date of The Glass Wives approaching (yay!), I’m sure you’ll agree that there is a LOT of waiting in this game. In fact, this advice isn’t just for debut authors. These bouts of waiting occur at all stages of your development and career, whether you’re submitting short stories to journals, or querying agents, or waiting while your agent pitches your book to editors, or all the stuff that happens after you sell, when you’re waiting on copy edits, cover art, author blurbs, ARCs, you name it. Bottom line, there is a huge amount of thumb-twiddling time in this business, during which your thumbs (and the rest of your fingers) would be put to better use typing away at your next book.
Amy: What’s your best advice for aspiring authors?
Keith: Don’t succumb to the temptation to treat self-publishing as a shortcut. Now, please read that sentence carefully. I’m not going all Sue Grafton on you here. I’m not saying “don’t self-publish.” I’m not saying “self-publishing is a shortcut.” What I’m trying to say – with any luck, more accurately and diplomatically than Grafton did – is that there can definitely be a temptation to treat self-publishing as a shortcut. I mean, your book can be live on Amazon within hours of you typing “the end” in your Word document. Just knowing this is heady stuff, and the temptation is palpable.
What do I advocate instead? Before jumping on that bandwagon, try to get a sense of whether your stuff is ready. And I’m “old school” in this respect: I think you need somebody else to help determine that. An editor at a literary journal choosing to publish one of your stories. A reputable agent offering to represent you. Failing that, some serious interest and “near misses” with several reputable agents and/or editors. Some positive reviews and comments from professional writers with whom you interact, either in online groups or at conferences, workshops, or meetings with established groups or associations (RWA, MWA, etc.).
All this may make me sound dreadfully old-fashioned, but I just think it’s so hard to be objective about your own work. And while your mom or your spouse might think your writing is fabulous, I really think you need a second opinion, ideally from others with some firmly established expertise. In my experience, most of us just don’t get good enough to write fiction worthy of publication without paying some pretty substantial dues – and getting our butts kicked by people who know more about writing than we do.
So that’s all I’m advocating: do the hard work necessary to get your writing up to par. Then, by all means explore whatever publishing options are available, and make a choice that best suits your priorities.
Amy: What is one thing you would do as a debut author– if you had it to do all over again? Or did you check everything off your list?
This question brought back a memory, and sent me digging through my Facebook statuses (or is it stati?) from a year ago, and I soon found the post I was looking for:
“When I put out the recycling bins tonight, the amount of empty wine bottles in the glass/metal/plastic bin reminded me that yes, this was the week I published my first novel.”
So I’m thinking next time around, I’ll look into trying to get a volume discount at the local wine shop!
(I’m making a note of this one, Keith. CHEERS, my friend!)
Author of the novel ME AGAIN, Keith Cronin is a corporate speechwriter and professional rock drummer who has performed and recorded with artists including Bruce Springsteen, Clarence Clemons, and Pat Travers. He is also becoming informally known as “the title guy,” having provided the title for Sara Gruen’s blockbuster Water for Elephants, as well as Susan Henderson’s HarperCollins debut Up from the Blue.
Keith is a regular contributor at the literary blog Writer Unboxed, named one of Writer’s Digest 101 Best Websites for the past five years. His fiction has appeared in Carve Magazine, Amarillo Bay, The Scruffy Dog Review, Zinos, and a University of Phoenix management course. He holds a bachelor’s degree in music from Indiana University, and earned his MBA at Florida Atlantic University. A native of South Florida, Keith spends his free time serenading local ducks and squirrels with his ukulele. Visit him online at keithcronin.com or facebook.com/keithcronin.
Find out more about ME AGAIN, and get your own copy, by clicking here.
You can read Keith’s first WFW interview, When A Man Writes Women’s Fiction, by clicking here.
You can read my review of ME AGAIN, here.